Posts filed in: Books

Homemade Pantry

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The weekend before last, Andy and I went to the farmer's market to get some stuff and then we spent the rest of the day making things from The Homemade Pantry: 101 Foods You Can Stop Buying and Start Making by Alana Chernila. It was super fun. We made rhubarb-ginger syrup with lemon verbena (for pouring into seltzer water and making sodas), mayonnaise, ketchup, and hamburger buns! And I made another rhubarb custard pie (that thing is really good). We took turns whisking the olive oil into the egg yolk to make mayonnaise. I seriously don't know how one person could have the muscle strength to do this; our arms were yakisoba noodles after I don't even know how long it took (and we were also actually sitting down the whole time). Pffffft! The hamburger buns were seriously amazing. I couldn't stop looking at them. Our neighbors came for a cook-out later that night. We had burgers and sweet potato oven fries I sort of made up. I think they liked everything. They also thought we were kind of cracked but we're used to that. Then they had a neighborhood potluck party this past Sunday. (We have a lot of great neighborhood parties.) I spent almost the whole party talking to someone about suburban sprawl and someone else about window replacement and cedar shingles and I had a great time. I thought, "Ah. I must be in my forties."

Baby's First Book

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While I was working on the book list last week (I haven't forgotten about it, it's just taking a long time to put it together), I remembered that there was one book I'd been wanting to make that wasn't exactly on the list!

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This is the Baby's First Book project from the totally beautiful book Sew Liberated: 20 Stylish Projects for the Modern Sewist by the super-talented and sweet Meg McElwee. Meg is an amazing designer. Everything she makes is modern and warm and fun and so pretty. I'd actually bought this book a couple of months ago with the intention of making the Blossom Blouse first, or maybe the Petite Artiste Smock (adorable), but since I was watching sixteen episodes of Chuck in a row and didn't want to leave the sofa, and haven't yet figured out how to sew with a sewing machine in my lap (working on that), the hand sewing won out. Applique is not something I do very often (though a million years ago, these felt photo albums were part of my little product line), but everytime I sit down to do it these days I love it. Such it was with this project, which I realized was actually designed and contributed by the equally amazing Melissa Crowe of Checkout Girl. Her work in felt applique is simply beautiful. It's amazing how evocative those little pieces of felt can be, isn't it? Beautiful. I thought this soft book was just the sweetest thing ever. Here's my version:

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I thought about doing it in brown, like our real house, but I thought a little pink Parisian-looking house would be cuter.

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I did make the puppers look like someone we know, though. Mwah, Puppers!

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And the kitterses. The Bee is sitting straight up, and the Vee is lying down, just like in real life.

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There's the tree.

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Birds! These look like my mom's canaries.

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Such a cute boat.

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Happy little fishy.

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Happy baby!

I am so happy with this little book! When I was done I threw my arms up and smiled just like the happy baby. I can't tell you how much I loved working on this. So much. For such a small book, I would say this is not a small project — but that just means you can really get into it. There is a lot of prep work involved in a project like this — gathering up a lot of fabric, copying and cutting out the patterns from so many different pieces of felt (by the way, the felts I have been using for many years are wool/rayon blends thatI buy wholesale from a company called National Nonwovens. They sell some of their felt at a few of our local retail fabric stores here in Portland, and I believe that Prairie Point Junction's Wool Felt Central carries the whole line of their colors, as well). But if you can just take your time and enjoy that part of it, it is SO very worth it. Because I truly loved the stitching part, and watching each picture slowly come together was pretty magical. The directions were wonderful. I used different colors than Melissa, and wound up turning under the edges of each picture and appliquing (sp?) it to the page by hand with invisible hem stitch instead of machine zig-zag as she did in the book (again, didn't want to have to sit the machine), so that's a bit different, but otherwise my version is almost exactly like the one in the book. (I will make an embroidered bookplate when the baby arrives, too. :-) Thanks for such a wonderful project, Meg and Melissa. I felt really proud of myself when I was finished. I think the baby will really like this!

Lovely, dark and deep.

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Last month, when we went to the art museum to see the photography exhibit about the Columbia Gorge, I bought a book in the gift shop called Portland Hill Walks: Twenty Explorations in Parks and Neighborhoods by Laura O. Foster. I started to read it that night, and immediately began conspiring with myself to take Walk #1, Willamette Heights to Balch Creek Canyon Loop.

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I got pretty emotional when I was reading the book. I knew that something was changing for me because of it. Before my accident, I had been a walker. Walking defined so much about me. I can't explain to you how much I loved it. I tried one time to explain, but I don't know that I really got it right. In the years since 1998, walking has had to be replaced by other things that don't cause so much pain, or, worse, risk the fragile tissue we've worked so hard to regrow, but the urge to do it never goes away. Lately I have been desperate to get back to the woods, a place I grew up in; I didn't even really know how much I was feeling it until I was in bed one night a few weeks ago, reading the book by the glow of my tiny nightlight, and I started to cry.

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That was sort of a clue.

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But I think they were really tears of relief, in a way: The book had arrived.

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It's a book of walks, joyfully (you can tell) taken, carefully detailed, lovingly described by Ms. Foster. She has a writer's sensibility, and writes like a dream, but she is also herself an editor, and editors have that uncanny ability to focus intensely on the small stuff — there are excellent maps, precise mileage counts and elevations, and very well indicated directions — while never losing sight of the big stuff: Historical information, fascinating anecdotes, and geological descriptions place you squarely in the context of the physical place you're walking through.

But what was different about it for me, as I looked at the maps and calculated the elevations and imagined the terrain based on her descriptions, was that I felt as if I were walking it as I was reading it, or at least I felt confident that I would responsibly know what I was in for if I walked it — if I went off-trail like this — in a way that maybe only the compromised can really appreciate. "Know" in a way that inspires confidence, and makes you think you can just begin. A small, private victory that may be different from most, or not something anyone else can imagine, or, at least, seems like less than they'd expect from you. But you know. You know you've scored the chance to change. And it feels like grace, something suddenly bestowed.

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On Saturday, we went. Through neighborhoods we never knew existed (though that's not saying much, since we tend to circle the well-worn paths around our own quite happily, being both homebodies and creatures of habit) and on wooded paths we couldn't have imagined, Andy and Clover and I spent this misty, late-winter afternoon lost in slow steps and shared wonder. We felt very far from home, though, amazingly, we could look down and see the brew pub where we had dinner last week, the gleaming port, the river we cross every day, just below. What smells, of wood and water and hidden things, were these? What light, through this odd, fir-treed filter? Where were we, here on the green-fringed edge of the eleven-mile-long Leif Erickson trail, built in 1915 and planned as a conduit between several yet-unbuilt subdivisions named, optimistically, Maybrook, Ridgewood, Regents Heights? They would be abandoned and later forfeited to the city, since the dramatic, ravine-crossing road was doomed to repeated washout.

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Whose house is this, huddled into the hillside?

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To what secret place does this mossy-soft stairway lead?

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Why has it taken me so long to get here, or is this, in fact, just the right time?

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In and out of woods and neighborhoods we wove, shocked to find that the line between the two was blurred and indistinct (and, frequently and unfortunately, covered in invasive ivy). From the stately, enormous old homes and hushed, sleepy streets of Willamette Heights, we made our way down to the Wildwood Trail and into Forest Park, past the site of the old dairy, past mushrooms as big as dinner plates, and further into Balch Creek Canyon, which, according to the book, was named after Danford Balch. He had once owned the surrounding property and was hanged in 1859 for shooting the man who had married his fifteen-year-old daughter, while she (and five hundred other) Portlanders watched. As it turned from afternoon to late afternoon, we wound our way down to the creek.

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Around the bend, a witch's house.

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At the bottom of the canyon, toward the end of the loop, it was busier, more developed (a bright, new fence lined the path), and colder, and my lens started to fog up, which has never happened before.

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Or else, the place is really enchanted.

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Makes you wonder.

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It is for me, anyway. It was almost 4.5 miles in all, and I made it the entire way.

About Alicia Paulson

About

My name is Alicia Paulson
and I love to make things. I live with my husband and daughter in Portland, Oregon, and design sewing, embroidery, knitting, and crochet patterns. See more about me at aliciapaulson.com

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